A sketch of Victoria Street, an adorably elbow-shaped thoroughfare in Edinburgh. I enjoy when streets make me feel like I'm indoors. I feel like this one could swallow me permanently.
There's always a bit of falsehood in sketching architecture in a locale one hasn't actually visited, so I'll have to remedy that someday and walk it.
My third illustration for Lucy's Dance treats the delicate topic of the missionaries who visited Stebbins in the late 1920's and stopped the Curukaq festival . . . or rather, tamed it into hiatus. A Jesuit missionary, Fr. Martin Lonneaux, overlooking the support-system of the Yup'ik community, perceived that the gift-giving portion of the festival was costly enough that it left several Yup'ik families destitute. Lonneaux concocted a watered-down version of the potlatch that would involve smaller, church-supplied gifts, but in the process amputated the festive spirit of the festival such that his "pretend kassiyuq " never caught on. For further details, see Stebbins Dance Festival (xxiv). The wording in Lucy's Dance focuses neutrally on the cultural misunderstanding. It would have been easy to use powerfully-charged language when summarizing this cultural loss. From what little I can find about him, Fr. Lonneaux, SJ seems to have been a relatively toler...
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