LD17 is my final full internal illustration for Lucy's Dance . I have only the epilogue insets and the cover to go, and of course a mystery bag of revisions to arrive from the cultural expert. But back to the illustration. The view echoes that of the opening illustration but is more contemporary, showing small, rectangular structures rather than the qasgiq huts. One of my favorite moments in illustrating Lucy's Dance has been when one student in Stebbins claimed he could point out the location his home on my drawing. Every structure shown here is based on a real one, or at least a structure that stood when my model photograph was taken, so I hope that similar moments arise for others. LD17's landscape is deeper into springtime than LD1, I assume because it took the village dwellers a bit longer that year to rekindle the tradition. Actually, I thought that a more colorful landscape would better suit the hopeful denouement. The whitecaps on Norton Sound are less rigid. The ...