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Showing posts from June, 2010

A Biased Cartography of 13th Ave.

My snail fallacy posts can get a bit abstract, so it's nice to have a project that brings me down to earth a bit, or, in the perspective of this drawing, to a hover slightly above earth. Buffalo Exchange and Beauty Bar Denver  commissioned this adjusted rendering of 13th Ave. as one side of a flier for a night of music involving one Garth , influential house DJ of Wicked San Francisco, and one DJ Nedza . Beauty Bar, besides offering a fine combination of martinis and manicures, provides the unique experiences of reclining in an actual 1950s hair dryer chair, and drinking at a counter underlaid with glittered emery boards. I'm not required to advertise here, but I couldn't help but take a few photos at the opening. Nearly all my work for Buffalo Exchange is referential, and this piece references a famous cover of the New Yorker, depicting New York, specifically, 9th and 10th Ave.s, as the center of the universe.  I felt well qualified to complete this i

Nausea at Midnight

The argument  Ad Nauseum  is not that abdominal discomfort that often accompanies watching commercial television--but it's close. It is a strategy that involves repeating a conclusion many times to urge its acceptance rather than offering proof.  The term Ad Nauseum   means surfeit  to the point of sickness . For some of us, it calls to mind, unpleasantly, eating too much theater popcorn  and before watching the owl attack scene in the movie  Thrice Midnight .  With such associations, how is anyone sold on this fallacy?   I've encountered  Ad Nauseum  in three flavors: First, a brute pummeling of repetition, a.k.a. the supersoaker approach. Here I refer to your filibuster, your parental injunctions to pack an umbrella, and yes, your Hulu commercials that might, through sheer persistence, convince you to back up your files on Mozy. Second, the subliminal approach. Conclusions may sneak in regularly through a subconscious backdoor. Usually, this happens when they are woven

Iocane and Incredulity

The Argument from Incredulity (AFI): I cannot explain or understand this, therefore it cannot be true. The AFI is a reactive fallacy, an irrational form of rebuttal to opposing ideas. Arguing from Incredulity takes arrogance, gerrymandering the borders of possibility to suit an incumbent imagination. If it cannot fit my brain, it cannot fit the world, either --a solipsistic thought at best. A special kind of character fancies his brain larger than the world. That character is Vizzini from The Princess Bride . Vizzini: "He didn't fall?" Inconceivable!" Inigo: "You keep using that word. I do not think it means what you think it means." Inigo wisely sticks to semantics in his response. Inigo dabbles a bit in wordplay, and knows better than to question Vizzini's overall strategy because, well, Vizzini is never wrong. Genius though Vizzini may be ("Ever heard of Plato? Aristotle? Socrates? Morons."), his hubris and his intolerance for &qu